The Chinese Calendar states that 2013 is the Year of the Snake. Fashion and jewelry designers have taken this opportunity to offer many incredible designs this year which feature snakes and other reptilian forms.
Snakes have been popular in jewelry in the past. Victorian jewelry popularized the snake motif in the late 1800s.
The 18k yellow gold “Scorpion” necklace above, ca. 1978, was created by Italian designer Elsa Peretti for Tiffany & Co. The necklace, which is formed of interlocking segments, has a detachable tail, so that just the scorpion claws can be worn as a collar. An example came up for sale at auction this past fall at Freeman’s in Philadelphia. I wanted this necklace and bid over $4,000. The necklace ultimately sold for over $11,000. I’ll just have to keep looking for another one for myself but who knows when another example will surface?
A Bulgari Sertenti Gold snake bracelet. $54,000.
This is a J. Hadley pave diamond, swirl snake ring with ruby eyes that is set in 14k yellow gold and rhodium. Price is $3,800.
The Metropolitan Museum of Art Museum Store is offering this Eyyptian Revival goldtone snake bracelet. Price is $150.
Puffy heart charms, so named because the charms are “puffy” on both sides, were very popular in the 1940s. Most are made of sterling silver, some with elaborate enamelling or beautiful personalized engraving.
Many had themes of love, such as Forget Me Not flowers, or lovebirds. I’ve seen them with animals, fleurdelis, scrolls, repousse styling, other floral themes and WWII sweetheart military themes.
Some of the most collectible were made by Walter Lampl, who manufactured series of guilloche enamel birthday charms as well as floral series charms.
This is a mother of pearl and enamel floral charm from the 1940s.
A WWII era airplane charm, engraved “Dad” on the back.
A US Navy sweetheart charm
Home Sweet Home, Engraved “Mom”
A Walter Lampl jeweled guilloche enamel birthday series charm
Lion face charm
A Lampl enamel floral series charm, a lily, I believe.
Since I’m so into this type of jewelry these days, here are a few more examples.
The top photo is a Givenchy logo necklace from the 1980s.
The hammered earrings are Givenchy.
The massive lion pendant necklace is from Lucien Piccard.
The hammered pendant necklace is unsigned.
You can find some of my collection in my ebay store:
A line bracelet is one with a single line of gemstones set in the middle. The bracelet can be flexible with a stone in the center of a link or it can be inflexible like a cuff bracelet.
I’ve seen many beautiful examples of Art Deco line bracelets over the years. This sterling silver one is unusual because it has bright red rhinestones. Many times, you will see diamonds or colorless rhinestones making up the main design. Other colors often used were sapphire blue and emerald green, either in precious stones or faux gemstones.
Although you cannot see this bracelet from the side, each link is stamped with a geometric line pattern characteristic of Art Deco design.
These days I am enamored of anything that is large, vintage and gold plated. Although yellow gold has been out of vogue, I have a feeling that it will be coming back in soon.
The jewelry I have been admiring is from the 1970s-1980s, some created by big name designers, meant to be worn as a bold accent. Think “Dynasty” but not as obnoxious.
I am posting a good example, a Givenchy gold plated mesh asymmetrical bow design necklace. I believe it is from the early 1980s.
I used to have a list of all the different colors of bakelite, or at least what people commonly call the colors. Examples are pea soup, tomato soup, butterscotch, egg yolk, Mississippi Mud. I will post photos with examples as I run across them.
The bangle shown in this post is a good example of Mississippi Mud bakelite. It will normally be a deeper brown color with lighter color browns swirled through the body of the bakelite.
Vintage polka-dot bakelite bangle bracelets started with the plain bangle bracelet. The polka dot area is then cut out and a bakelite disk is perfectly inserted into the hole that was created.
You can usually run your finger over the edge of the polka dots and feel a tiny edge there. It will look totally flush with the bangle if it was properly done but you can usually feel it.
The cameo shown in the photograph is a transferware cameo. It is made of pottery which has a design transferred onto it. After the design of the cameo is put onto the pottery disk, hand-painted details are sometimes added. The pearls, the flowers in the hair and the folds in the fabric are painted by hand on top.
This method of putting designs onto jewelry via transfer allows for mass production. Because it is mass-produced, a pin like this will most likely never have the value that a fine hand-carved cameo will have. Regardless, it is pretty. This pin, which is stamped LIMOGES on the back, is from the 1950s-1960s.
Vintage Coppola e Toppo jewelry is the ultimate in beaded designer pieces that came out of Italy in the 1950s and 1960s. Coppola e Toppo was a sister and brother design team in Milan Italy who designed jewelry for some of the most famous fashion houses including Schiaparelli, Christian Dior & Valentino. Neiman Marcus in the US sold this jewelry, as did other high-end stores. Coppola e Toppo is known for elaborately beaded crystal jewelry in bold designs. The beads could also include Murano glass & Swarovski crystals.